In the chapter "Camera-less Photography" we show contemporary interpretations of photograms, chemigrams or lumen prints. By using these techniques, the artists quote and reinterpret the beginnings of photography. In "Photographic Time Travel" it becomes clear that the photographic medium offers the possibility to travel through time: Images from today's world as silver daguerreotypes or ambrotypes trigger a sense of anachronism. In this room artists and photographers approach, appropriate or analyze old photographic techniques from the 19th and 20th centuries through their own photographic work. In the chapter "Light and Process" we find different forms of photography taken with or without cameras. Examples are photographic paper converted as a pinhole camera and exposed directly, experimental and playful cameras as well as other forms of exposure. The focus is on the performative, the interaction between man and camera or between man and photography. In the last part of the exhibition "Analog meets Digital" the main theme is the encounter between analog and digital photography. The encounter can take many forms: an interaction with an AI (artificial intelligence), the collaboration with a digital machine, or even the translation of digital images into analog.